For the first time in 17 years, Paul St. Hilaire (AKA Tikiman) presents a solo album – 100% Tiki.
Buy vinyl Buy digitalDetroit techno luminary Terrence Dixon joins Kynant with six tracks of signature minimalism.
Buy vinyl or digitalKynant EX is a series for non-dancefloor focused records on hand-stamped vinyl. The second release comes from Leeds-based, abstract turntablist, NikNak – the first Black turntablist to win an Oram Award. She created Bashi by manipulating and processing samples through her decks. First released digitally in November 2020, now the album is expanded with a live edit and remixes from Bristol 140-don Pinch and Kamau (FKA Darling Farah).
Buy vinyl or digitalDetroit techno luminary Terrence Dixon joins Kynant with six tracks of signature minimalism.
Buy vinyl or digitalKynant EX is a series for non-dancefloor focused records on hand-stamped vinyl. The second release comes from Leeds-based, abstract turntablist, NikNak – the first Black turntablist to win an Oram Award. She created Bashi by manipulating and processing samples through her decks. First released digitally in November 2020, now the album is expanded with a live edit and remixes from Bristol 140-don Pinch and Kamau (FKA Darling Farah).
Buy vinyl or digitalThe inimitable Mike Parker makes his full EP debut on Kynant with four cuts of his signature, modular techno hypnosis. Available on 12” vinyl and digital from September 17th, 2021.
Buy Buy digitalKynant EX is a new series for non-dancefloor focused records on hand-stamped vinyl. The first release comes from a legendary UK band, O Yuki Conjugate, who have been making unique experimental music since 1982. The duo have reworked their 2019 album track “Forgotten Summer” into a two-part, 12m45s epic, which starts as broken-beat and ends with a five minute beatless sequence. The B-side houses two new tracks, the first is abrasive and full of dread, the second a bass-heavy ambient cut.
Buy Buy digitalThe second Various Artists EP on Kynant is the spiralling techno of LADA (the duo of Dasha Rush & Lars Hemmerling), atmospheric acid from the anonymous MA, Andreas Tilliander and Svreca in a fierce collaboration and a fresh, hybrid sound from Agonis.
Telomic Ghost’ is the natural peak of TM404 & Echologist’s transatlantic collaboration. Since their first release together in 2017 (KYN007), Andreas Tilliander and Brendon Moeller have explored their subaquatic, techno sound on a further EP (KYN010), and now this album broadens the scope with ambient cuts, slo-mo acid and dubbed-out house.
Both Tilliander and Moeller have renowned discographies of hazy electronics, under a number of aliases and with numerous collaborators. Their records as TM404 & Echologist have struck on a powerful synergy, pairing the glitchy, Roland indebted sound of TM404 with Moeller’s dub-wise headspace and striking sound design. Turn the lights down, press play and freefall into the depths of ‘Telomic Ghost’
Michał Wolski joins Kynant with a diverse, four-track EP of hyper-detailed techno. ‘Back Entry’ and ‘Inferior Representation’ are peak time cuts with hypnotising touches. On ‘Bathyscaphe’ and ‘Wanderer’, Wolski explores more a melodic, atmospheric direction.
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The first Various Artists release on Kynant, ‘K.Y. Spaceʼ. Mike Parkerʼs unmistakable modulations and the broken-beat, UK techno of Forest Drive West share the A-side. Korridorʼs ultra-deep sonic exploration leads into fellow Swedish artist Fjäder crafting a downtempo beat in her signature ambient style. Mastered by Neel.
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Tensal returns for a third release on Kynant Records, ‘Industrialsociety’. He explores broken-beat and atmospheric techno over four diverse tracks: the off-kilter rhythm of ‘Intermixture’, two straighter, driving cuts and the melodic, IDM-leaning ‘Truebano’.
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TM404 & Echologist (aka Andreas Tilliander and Brendon Moeller) return with their second collaboration, this time including a remix from another standout dub techno artist in VRIL. The ‘Infiltrated’ EP has two boomy, 4x4 rollers on the A-side, VRIL’s broken-beat, ethereal version on the B1 and lastly the title-track, a twisted stream of grainy modulations.
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Japanese sound sculptors Steven Porter (aka Katsunori Sawa and Yuji Kondo) sign two striking productions to Kynant, with a pair of remixes completing the ‘Reservoir’ EP. ‘A Need For Distance’ on the A-side is abrasive and hard-hitting but not without moments of melody. Fellow Japanese purveyor of tripped-out techno Iori mines a lean, highly-effective groove on the remix. ‘Romance Tip’ takes a slower, endlessly-detailed approach with sharp percussion and mind- bending atmospherics; Max Durante, who recently released his debut LP on Kynant, contributes a broken-beat workout to finish the record. Mastering by Giuseppe Tillieci aka Neel.
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Max Durante’s first LP in a 30 year career, ’The Experiment’, is a new, left-field direction for an artist whose history traces from the birth of techno, through IDM, acid and electro. Spread over four sides of vinyl, ‘The Experiment’ consists of beatless pieces (which reveal another character when slowed to 33RPM), broken-beat techno and straight-up dancefloor trips.
The LP opens with eight minutes of full immersion in the eternally looped beat of ‘EX-P01’. It sets up the diverse yet distinctive, ambient-leaning tracks which make up the first 12”. On the C side, Durante’s focus is on the dancefloor, with hard-hitting, tense techno tracks made in collaboration with his peers from the early Roman scene, acclaimed duo Retina.it and half of Rephlex act D’Arcangelo. On the final side, ‘EX-P07’ is trademark Durante in the style of ‘Black Light’ (KYN001) or his recent records for Sonic Groove, before an ambient outro ends the experiment. The record was mastered by one of Rome’s following generation of techno artists, Giuseppe Tillieci aka Neel.
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TM404 & Echologist (aka Andreas Tilliander and Brendon Moeller) collaborate for the first time on ‘Bass Desires’.
Two of the leading artists in dub techno and ambient electronics produced four cuts between their enviable studios in New York and Stockholm, with the results sitting in between the powerful oscillations of Echologist’s previous EP for Kynant (KYN005) and the slo-mo, Roland jams TM404 specialises in.
The two A-side tracks are the most direct, with hard-hitting drums, soaring atmospherics and boomy reverb. Flip over and the record spaces out into cavernous bass vibrations; first the subterranean ‘Odyssey’ and then the melodic, modular twists of the 105BPM title track. Mastered by Neel.
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New versions of Tensal’s ‘Opposite Inertia’ EP, with a remake of his own and contributions from Mike Parker and Pangaea.
One the most distinctive artists in techno, Mike Parker, combines his signature, modulated bassline and sharp claps with the off-kilter rhythm of ‘Inertia 1’. Tensal’s remake of ‘Inertia 2’ is direct, peak-time gear. The synth line is kept front and centre, the beat is heavy and expertly arranged. Pangaea, of Hessle Audio, switches up the broken rhythm of ‘Inertia 3’ and adds the kind of unusual touches that make his records stand out.
Mastered by Giuseppe Tillieci aka Neel @ EnissLab Studio, Rome. Pressed at at Optimal Media. Packaged in a house sleeve. All artwork designed by Christopher Honeywell.
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Veteran dub techno producer Brendon Moeller dons his Echologist alias on 'The Flame' EP.
The title track is the most experimental, opening the record with tripped-out machine melodies and off-beat drum hits. 'Kavorka' follows in the same vein but is more obviously dancefloor-focused. Its arps build up the tension until a thick 303 line takes things to tipping point and eventually release. On the B-side, 'Dirtbox' is a fast-paced, Echologist take on warehouse techno and a deep, atmospheric cut 'Candy Mountain' finishes the record in Moeller's signature style.
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Melbourne-based Vohkinne joins Kynant with the ‘Wind Shadows’ EP. Its title track is a grinding techno trip with stop-start drums to switch up the rhythm in a room. The two B-side cuts are straighter dancefloor fare. The first, ‘Watching Over Us’, is a thick and heavy, hypnotising 4x4 track, ‘The Heretic’ more dynamic and unpredictable.
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Tensal is a solo project of Héctor Sandoval, a leading Spanish techno artist with an accomplished discography spanning 20 years, primarily as half of Exium. The four tracks of his ‘Opposite Inertia’ EP are each marked by the classic synth focus that defines the Tensal project, but cover separate moods within techno.
'Inertia 1' rolls out with unusual and off-kilter groove, whilst hi hats and sliding sub notes grow in intensity to the end. Inertia 2 and 3 are the peak time cuts. The first is all synth bleeps and a pumping low-end, the second more hyperactive with its flurry of tightly-wound bass and steely percussion. 'Inertia 4' brings the pace back down to a measured and more atmospheric close, tailored to the warm-up or time-out moments in a DJ set.
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Black Sand is a new collaboration combining techno sounds old and new.
The duo consists of Max Durante (who produced the first Kynant record) and fellow-Italian, DJ Datch. Their ‘Desert Island EP’ is heavy on drum machines and classic styling but produced with modern design.
'Abyss’ and 'Black Sea' begin the record with restraint, building a groove out of tense layers of underwater atmosphere and a tough low-end. The B-Side pushes the sound harder; the creeping drone of 'Dead Sea' is tailored for DJs to gradually build a room's energy, whilst 'High Tide' is peak-time material noticeably inspired by the 90s.
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Kynant Records looks first to a techno veteran in Max Durante.
Max has been active for over 25 years and is regarded as one of the pioneers of Italian techno and electro. Having recently joined the ranks of Adam X’s Sonic Groove imprint, Max continues to command a strong presence in the wider techno scene.
His first offering on Kynant is ‘Black Light’, a four-track EP of deep and physical, avant-garde techno. The A-side begins with the swung drums, drone and perc of ‘Black Light’ and continues the distorted, broken-beat theme with ‘Solar Request’. On the flip, ‘Biocentrism’ is more direct with its bleeps, sharp high-end percussion and weighty 4x4 kick. The master of hypnotic techno Donato Dozzy provides a remix of ‘Biocentrism’, looping the feedback into a powerful groove for the DJs.
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